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It is said that  a man’s eyes are the windows into his soul. Might it not also be said that a person’s windows are the eyes of his or her soul?

I have always been fascinated by windows: what can be seen through them from the outside, the view from indoors — but also the windows themselves: the dressings, the objects placed thereon, the construction, the utility, the apparent warmth and security afforded by a nearly invisible plane of glass. The idea of the window could (and does) afford many a subject for artistic and philosophical expression. I am only the latest to consider it.

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I recently had the wonderful opportunity to visit Claude Monet’s home In Giverny, France. Having studied a great deal of art history during high school and college, I was well acquainted with Monet’s works, and had passed through the inevitable “Impressionist” phase that any art student must experience at some point in their educational development. Several weeks ago, at the mention of Monet, I might have shrugged my shoulders and acknowledged that he was an accomplished and prolific painter, and insisted that my mind had moved on to more complex contemporary movements.

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To visit a person’s home, however, is to come to a radically new understanding of that person. A home is often an extension of the soul that lives therein, and as I toured the rooms and grounds of Claude’s abode, I found myself coming to a much greater appreciation of his life’s work. To see the waterlilies nestled among the reflections of blue sky, framed by the branches of weeping willow on all sides— it was stepping into the pages of Gardner’s Art through the Ages and letting it come alive.

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Monet’s house in itself is a work of art. Each room painted in bright colors, and each of the many windows affording a breathtaking view onto the surroundings that inspired this man’s joyful paintings. After glimpsing through so many panes of glass framed by delicate lace curtains, peering out onto a sunlit landscape, from an almost equally sunny interior space, I can understand the inner space of an artist who wanted to bring the peace and happiness of Giverny—and of his own soul—into the world for all to see.

But enough of my ineffectual words. Let’s let the windows speak for themselves.

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